Mobilizing Pedagogy: Two Social Practice Projects in the Americas
by Pablo Helguera and Suzanne Lacy with Pilar Riaño-Alcalá

Edited by Elyse A. Gonzales and Sara Reisman

What is—what should be—the place of art in society? Is it merely decorative? Is it only to affirm a given set of cultural preferences? Or should it examine, challenge, even upend these norms to bring open new perspectives for those who experience what artists create?

Social practice artists offer a clear and unflinching answer to this question, setting before us works intended not merely to ask questions but to propose pathways toward larger societal change.

In this volume, the work of two social practice artists of different generations and different social locations—Suzanne Lacy and Pablo Helguera—are brought into creative tension by two visionary curators: Elyse A. Gonzales of the Art, Design & Architecture Museum of the University of California, Santa Barbara, and Sara Reisman of the Shelley and Donald Rubin Foundation of New York. Working together, Gonzales and Reisman bring the work of these two engaged and activist artists into dialogue, showing how art can be not merely the mirror of society but the means of making it more just, more inclusive, and more humane.

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About the Artists

Pablo Helguera was born in Mexico City in 1971. He attended the School of the Art Institute of Chicago, both an art school and a museum, working in the museum education department while earning his B.F.A. He has since held positions in education at The Museum of Contemporary Art in Chicago and the Guggenheim New York, and is currently the Director of Adult and Academic Programs at The Museum of Modern Art in New York City. Helguera has performed and exhibited extensively throughout Europe and the Americas. His works have been shown at the Museum of Modern Art, NY; Museo de Arte Reina Sofia, Madrid; the Institute of Contemporary Art, Boston; Bronx Museum of the Arts, NY; Brooklyn Museum, NY; and the Guggenheim, NY; among others. He is the recipient of awards from the Guggenheim Foundation, Rockefeller Foundation/Fideicomiso para la Cultura Mexico, Creative Capital, Franklin Furnace, and a Fellowship for Socially Engaged Art from A Blade of Grass.

Suzanne Lacy was born in Wasco, California in 1945. She graduated from the University of California, Santa Barbara with a major in Zoology in 1968, and became a founding member of Judy Chicago’s Feminist Art Program at Fresno State College, moving with the Program when it relocated to CalArts. Lacy’s work has been exhibited at the Tate Modern, London; the Los Angeles Museum of Contemporary Art, LA; the Whitney Museum of American Art, NY; the New Museum, NY; MoMA P.S.1, NY; and the Bilbao Fine Arts Museum, Bilbao. She has received awards from the Guggenheim Foundation, Henry Moore Foundation, Rockefeller Foundation, National Endowment for the Arts, and a Fellowship for Socially Engaged Art from A Blade of Grass. Lacy was founding chair of the M.F.A. program in Public Practice at Otis College of Art and Design in California. In 2013, she received a Ph.D. from Gray’s School of Art at Robert Gordon University in Aberdeen, Scotland, and is currently a professor at the Roski School of Art and Design at the University of Southern California.

Editor Bios

Elyse A. Gonzales is Assistant Director and Curator of Exhibitions at the Art, Design & Architecture Museum, UC Santa Barbara. While at the Museum she has curated numerous collection exhibitions and organized several group shows focused on relevant contemporary topics and the University’s distinguished alumni. She also initiated an Artist-in-Residence exhibition program, commissioning emerging artists to create new works in the Museum’s galleries. Prior to working at the AD&A Museum, Gonzales was Assistant Curator at the Institute of Contemporary Art, University of Pennsylvania.

Sara Reisman is Executive and Artistic Director of the Shelley & Donald Rubin Foundation. An accomplished curator with a deep interest in art’s potential to enact social and political change, she heads the Foundation which has most recently emphasized programming centered on art and social justice. Through grantmaking, exhibitions, and special projects, the art and social justice initiative aims to broaden artistic and cultural access in New York City toward the development of more cohesive and resilient communities and greater participation in civic life. Prior to her appointment at the Rubin Foundation, she served from 2008 to 2014 as director of the Percent for Art Program of the Department of Cultural Affairs in New York City. She has curated shows for the Queens Museum of Art, Socrates Sculpture Park, the Cooper Union School of Art, and the Philadelphia Institute of Contemporary Art, among other venues.